سرور الہدی
DOI:https://doi.org/10.5281/zenodo.23632331
Abstract. This paper examines Kaleemuddin Ahmad’s critical assessment of Akbar Allahabadi’s poetry, highlighting its significance in shaping a deeper understanding of Akbar’s literary and intellectual vision. Ahmad acknowledges the historical relevance of Akbar’s poetry but emphasizes that its lasting value lies in its creative quality rather than its immediate message. He interprets Akbar’s satire as an integral part of his poetic expression and explores his cultural consciousness, commitment to tradition, and critique of mental subjugation under the influence of Western civilization. Ahmad also challenges the common perception that Akbar’s poetry lacks seriousness or the capacity to express profound experiences of life. By examining these critical insights, the paper argues that Ahmad’s observations offer significant new perspectives on the interpretation and appreciation of Akbar’s poetry.
Keywords: Kaleemuddin Ahmad, Akbar Allahabadi, Urdu Criticism, Satire, Cultural Identity, Western Civilization, Poetic Vision
Dr. Sarwarul Hoda is a distinguished scholar, literary critic, editor, and researcher in Urdu language and literature. He is a Professor in the Department of Urdu, Jamia Millia Islamia, New Delhi. His principal areas of scholarly interest include Urdu literary criticism, literary history, and the editing of classical Urdu texts. His critical writings reflect a sustained engagement with the major trends, ideas, and personalities of Urdu literature.
Among his notable critical works are Gumshuda Ma‘ni Ki Talash: Mohammad Hasan Askari ka Tanqidi Mutala‘a, Imdad Imam Asar, and Raftgan ka Suragh. He has also made significant contributions to textual scholarship through his editorial work on Diwan-e-Ashraf Ali Khan Fughān, Diwan-e-Imdad Imam Asar, Kulliyat-e-Waheed Akhtar, and Shahryar. His research and editorial endeavours have contributed to the critical study, preservation, and understanding of Urdu literary traditions. Through his teaching, research, and publications, Prof. Hoda continues to contribute to the development of Urdu literary scholarship.
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